Also published on Infozine and in the Making Science Public blog.
As a visiting fellow in the “Making Science Public” project, I’ve had a great first week at the University of Nottingham, filled by conversations with social science scholars and capped off with the events of May Fest – a day in which the local public received (among other things) a sustained exposure to science. As I elbowed my way through the overstuffed hallways of the Portland building on Saturday morning, the presence of eager crowds playing with exhibits of zoology, microbiology, chemistry and more, strongly suggested that science has many fans. This conclusion, though, reminds me of a question relevant to a study of the relationship between science and the public: Does science need more fans?
As a visiting fellow in the “Making Science Public” project, I’ve had a great first week at the University of Nottingham, filled by conversations with social science scholars and capped off with the events of May Fest – a day in which the local public received (among other things) a sustained exposure to science. As I elbowed my way through the overstuffed hallways of the Portland building on Saturday morning, the presence of eager crowds playing with exhibits of zoology, microbiology, chemistry and more, strongly suggested that science has many fans. This conclusion, though, reminds me of a question relevant to a study of the relationship between science and the public: Does science need more fans?
Dr. Philip Moriarty, a professor in the university’s physics
department, would likely argue that it does. When I was fortunate enough to
visit with Moriarty earlier this week, he proudly gave me a tour of the lab
which occupies much of his attention. It’s a room about the size of a one-car
garage. In one end hunkers a huge, gleaming metal object comprised of conduits,
chambers, wires and instrumentation: an ultrahigh vacuum, low temperature scanning probe microscope.
Moriarty
introduces me to his colleague and collaborator, Dr. Adam Sweetman, who’s
seated in front of a bank of monitors which bristles with graphics so complex,
they make the Big Board in Dr. Strangelove look like an Etch-A-Sketch. Their
work involves testing and understanding the bonds between atoms. Moriarty,
who’s gifted at explaining science to lay audiences, freely confesses that
their work is basic research, the kind with no known practical applications.
Not that it will never have any – in a relatively short time, what Moriarty,
Sweetman and other nano-researchers discover may help to make machinery such as
solar panels even smaller and more efficient. But a relatively short time in
science could be years.
Today, Sweetman’s
job is to sit for hours and note tiny fluctuations on the shifting graphs in
front of him, indications which will help them figure out whether they’re seeing
those atoms they wish to study or merely the tip of the observing instrument
itself – a super-tiny filament whose nose is made inevitably of atoms. One of
the screens appears to show a collection of ping-pong balls suspended in tomato
soup, but the picture seems badly out of focus. “See that?” asks Moriarty.
“Those are atoms. You’re looking at atoms on the screen.” This is very cool in
itself, but the atoms aren’t moving much. On another screen, the atoms are
rendered in black-and-white. It’s a completely different image. As we watch, there’s
a slight shift and both Moriarty and Sweetman take note – they’re seeing what
they want to see.
As Moriarty
explains the workings of the microscope – a half million-dollar instrument
which can be purchased ‘off the rack’ these days – I can’t help but notice that
parts of it are covered with what looks like aluminum foil, hunks just big
enough to wrap a chicken in. Research budgets aren’t close to what they were
five years ago when the university bought the microscope, so I can’t help
wondering if this is some low-tech ‘patch’ made necessary by lack of funding.
(Moriarty tells me later, however, that it’s purely for helping to rid the
system of condensed water so the vacuum inside it is unpolluted. Apparently,
the Large Hadron Collider in Switzerland also uses this technique.) With money
being so tight, people like Moriarty and Sweetman are under pressure to produce
something usable, something private enterprise can license and manufacture, a
piece of knowledge that will create revenue which flows back to the university.
But today,
in the lab, there’s no sense of urgency, just a quiet hum of the microscope as
Sweetman watches patiently, understanding the screen’s fluctuations because
he’s done this for a long time and he knows what he’s doing. In thousands of other
labs and field projects across the scientific landscape of the UK and beyond, researchers
are performing other monotonous jobs, and this is the reality of science which
often escapes the public – unglamorous, long-term investigation.
Moriarty and
I move to a nearby coffee shop on campus and sip Americanos. (Apparently, no
one in the UK drinks brewed coffee anymore.) Moriarty reveals a deep concern
about a study by another scientist whose conclusions seem unjustified. The
quality of the peer review, he feels, is suspect, and the researcher won’t
produce all of the original data as Moriarty has requested. Even the journal
which printed the researcher’s paper is stonewalling further inquiry. This lack
of transparency has plagued science for a long time. The National Academy of
Sciences in the US has recently expressed concern about increasing instances of
fraudulent research findings. Tight budgets, Moriarty agrees, are forcing many
scientists to fudge results in order to get published.
One key to
solving these systemic issues might lurk in the hidden truth rather than the
visible lies. Despite the science most lay audiences are familiar with – a universe
of glossy TV shows, websites, fairs, books and periodicals – science’s ‘dirty
little secret’ is that most scientific research produces no breakthroughs or
exciting finds. In fact, it isn’t meant to. In order to be verifiable and
useful, science is mostly about learning what doesn’t work. It’s about dead ends and back-checking and
cross-checking threads of research. It’s about being wrong WAY more than being
right. And when money is tight, as it has been increasingly for years, the
unglamorous but essential work performed by 95% of scientists is becoming
harder to fund.
During our
conversation, I suggest to Moriarty that this eventuality is partly the fault
of science itself, at the institutional level. The culture of science has for generations
programmed the public to expect big breakthroughs and amazing miracles in
medicine, physics, exploration, and any brand of science which doesn’t require
too much work to understand. It’s worked for decades to keep the public on the
hook, while presenting scientists as genius wonder-makers, always on the verge
of something game-changing.
The emphasis
on the products of science – instead of the process – has denied the modern
public a source of knowledge that would help them become more discerning
consumers. And today, the public has become more ignorant instead of more
sophisticated (if only because science is so much more complex), and therefore easy
to misinform about issues such as climate change, early-childhood vaccinations,
even evolution, one of the best-understood bodies of knowledge in the world.
Moriarty is
dubious at first: “When I talk to schools about science, I don’t want to tell
them that it’s boring.” But being a good scientist, he’s willing to consider
it. After all, science is about results.
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